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How to practice the guitar effectively

Posted by on November 27th, 2011 with Comments Off on How to practice the guitar effectively

The old adage “practice makes perfect” only holds true if one knows how to practice.

The correct saying should be: “PERFECT practice makes perfect”.

One of the biggest obstacles to becoming a proficient guitarist is not knowing how or what to practice. Practicing effectively is as much an art as learning the guitar itself.

Masters of the guitar know how to practice effectively, they know how to break down their time into workable segments where different areas of guitar improvement is focused upon.

Guitarists who struggle to really improve their playing probably have a lack of understanding on how to practice effectively.

Efficient and effective practice can increase your guitar skills and knowledge more than fourfold in a single year. Basically by practicing the guitar efficiently you would gain four years of learning in one.

So you might wonder – how do I practice effectively, what is the secret?

Well firstly it will depend on your current level and your goals going forward.

I will demonstrate three scenarios with practice schedules based on three guitarists with different levels of guitar playing:

SCENARIO 1: AN ABSOLUTE BEGINNER

In this scenario we have an absolute beginner who has just picked up the guitar about three months ago. He is working in a professional insurance company and has very little time to practice. The best suggestion would be to manage three sessions of 45 minutes weekly.
By following a practice schedule he will progress in the fastest manner possible.

SCHEDULE A: NO SCHEDULE
Time to practice 45 minutes

  • No warm up
  • Practice/play favourite repertoire – 24 minutes
  • Practice some chords – 5 minutes
  • Practice/play some more repertoire – 16 minutes

Now analyse the effectiveness of Example A:

Firstly there’s no warm up – no time to acquainted with the instrument again. This leads to frustration as one’s hands are just not warm enough to produce a good enough sound out of the instrument. The second issue is that the student goes directly to the his favourite repertoire aka the “musical dessert”. This is not sound as he probably has more serious problems to resolve elsewhere.

Practicing his chords for 5 minutes is not a bad thing, but it in Scenario B (the scenario to follow) it’s structured BEFORE the student enjoys his “musical dessert” and hence the focus on the chords (i.e. problem) will be far more effective than in Scenario A.

Lastly the student gets back to playing his repertoire as it brings him joy and happiness instead of frustration. Working on a problem can usually bring a lot of frustration before the solution is found. Therefore the student prefers going back to the “musical dessert” instead of working on solid food. This is usually counter-productive unless a “fun session” was pre-arranged.

I believe that there is a time for the learner to just have fun on his instrument, but once again this ought not to take precedent over the standard practice sessions that the student must benefit from.

SCHEDULE B: WITH AN EXACT SCHEDULE
Time to practice 45 minutes

  • Warm up – 5 Minutes
  • Practice new chords – 10 Minutes
  • Practice scales/arpeggios (relevant ones such as a basic minor pentatonic) – 10 Minutes
  • Practice strumming relevant to chord repertoire – 5 Minutes
  • Practice repertoire – 15 Minutes

This is an example of a well thought-out practice schedule suitable for a beginner in a particular set of circumstances.

The first thing I really appreciate is the fact that the student takes five minutes to warm up before starting with his various other activites.

After the initial warm up he goes straight into practicing new chords. Although it might be frustrating and difficult he continues for 10 minutes and faithfully applies himself.

He then continues unto scales, meticulously practicing them at 60 BPM (beats per minute). This leads to him obtaining a greater command over the fretboard that will actually compound and explode over a number of years!

After practicing his chords, scales and arpeggios, he moves unto strumming that’s relevant to his chord repertoire. By practicing with the right hand alone he gets a full view of what’s going on and he thus enables his strumming hand to work like a well-oiled machine ready to strum any chord pattern that comes it’s way!

ONLY at the very end does he enjoy his favourite musical dessert – the repertoire that he so badly wants to play! In fact it’s quite easy for him – his right hand is strumming faithfully while his left hand plays the chords without much hesitation – THANKS TO STICKING WITH A DISCIPLINED PRACTICE SCHEDULE!

Practicing in this manner will yield a harvest over a number of months/years that far outweighs the proceeds of Scenario A!

I recommend any student (whether absolute beginner, amateur or professional) to practice the guitar with a schedule rather than without. I do believe there are times to say “that’s enough” and have some fun without a practice schedule, but I am of the opinion that 85% of the time a (reasonably) strict schedule should be adhered to in order to obtain the very best results possible!

SCENARIO 2: AN INTERMEDIATE GUITARIST (five years of playing experience)

In this scenario we have an intermediate guitarist who have five years of guitar learning experience behind him. Currently he owns a Gibson Les Paul and his favourite guitarist is Slash. He has learned the Solo to Sweet Child of Mine and knows quite a few things about lead guitar.

His biggest weakness is a lack of theoretical knowledge and the only scale he knows is the minor pentatonic scale. His chordal knowledge extends to power chords as well as the basic major/minor/dominant chords in open and barré form.

He wants to progress and understand the instrument to a much higher level. He has about 15 hours a week to practice. He’s currently practicing about two hours daily.

By following a practice schedule he will progress in the fastest manner possible.

SCHEDULE A: NO SCHEDULE
Time to practice 120 minutes.

  • No warm up – 0 minutes
  • Picks up a guitar magazine and tries the latest riff – 20 minutes
  • Works on his bending vibratos – 10 minutes
  • Plays the Sweet Child of Mine solo bit – the part where he struggles – the part where Slash plays slightly faster than before. He does this without any metronome or guitar journal – 30 minutes
  • He takes a small break for coffee – 10 minutes
  • He gets back to the fast bit of Sweet Child of Mine – 25 minutes
  • He memorise a lick from his guitar magazine – 15 minutes
  • He practice playing fast (without a journal or any time-keeping device) – 10 minutes

In this example our intermediate guitarist has spend most of his time on his favourite Slash solo. While it’s a lovely solo and a cool thing to play it was not done with any sort of plan or journal. There was no notes (historic notes) to state what top speeds he reached today or which exact parts he struggled with. It was simply a trial and error give-it-a-shot type of practice session.

Working for 10 minutes on his bending vibratos is a nice idea, but without any structure it will not yield the best returns.

He tried the latest riff out of a guitar magazine – this is once again part of a “musical dessert” and not “solid meat”. This is the sort of thing to keep at the end of a session as a reward.

Haphazardly memorising a lick from a guitar magazine does not really mean much. It might be useful, he might forget it tomorrow. Who knows? – only time will tell.

This sort of method of practicing is great if you want to stay in a rut and struggle to get out of bad habits. You’ll also find him complaining about the fact that he just cannot get his picking speed up or that he always struggles with knowing what to do.

The big issue at stake here is probably the lack of a good guitar teacher and mentor. A lot of intermediate guitarists could become great guitarists if they had an excellent teacher. Practicing in the above manner will only lead to deep frustration and slow progress is inevitable.

SCHEDULE B: WITH AN EXACT SCHEDULE
Time to practice 120 minutes.

  • Warm up – 10 minutes
  • Work on his right hand technique – 20 minutes
  • Work on his left hand technique – 20 minutes
  • Practice sequences in all five pentatonic positions. (SLOWLY) – 20 Minutes
  • Takes a break – 10 minutes
  • Works on a selected part of the Sweet Child of Mine Solo (documented in a journal) – 20 Minutes.
  • He practice his speed picking and co-ordination (documented in a journal) – 20 Minutes.

WOW! – he’s had a bit of a work out! BUT here’s the secret – he was working on solid meat all the way. It’s very hard work to continue working on solid meat day after day, but the best guitarists develop their technique in this manner.

His technical exercises is documented into a practice journal and subdivided into his rough speed (the maximum speed he obtains in a certain exercise – roughly) and exact speed (the maximum speed he obtains in a certain exercise – perfectly clean)

After a couple of years of practicing with an exact schedule most of the time this intermediate guitarist will become a semi-pro and if he continues he will become a professional (virtuoso) guitarist.

Well done to him is all I can say!

SCENARIO 3: AN ADVANCED GUITARIST (eight years of playing experience)

In this scenario we have an advanced guitarist. She is familiar with improvising in the blues and pentatonic scales as well as most of the modes of the major scale. Having achieved a high level of experience in rock and metal guitar, she is now interested in learning how to play jazz. Her current struggle is understanding how the harmonic structure of jazz works. Her improvisations doesn’t “swing” enough and she still has a lot to learn in terms of playing over moving chord changes.

By following a practice schedule she will progress in the fastest manner possible.

SCHEDULE A: NO SCHEDULE
Time to practice 120 minutes.

  • No warm up – 0 minutes
  • Picks up a the guitar and plays through a few II V I changes – 45 minutes
  • Works learning memorising new chords – 25 minutes
  • She has a small coffee break – 10 minutes
  • Practice improvising over a famous standard – 20 minutes
  • Plays a few of her favourite lines – 20 minutes

I wouldn’t say it’s a bad schedule, but it can be arranged better. It’s always more prudent to warm up as it will improve the entire session. Starting off with the II V I changes can be a good idea, but only if it’s planned and practiced everyday at the same time. The same applies to everything else our guitarist has done here. If it was planned – well excellent, otherwise it will not have the desired effect anyone would hope it would have.

SCHEDULE B: WITH AN EXACT SCHEDULE
Time to practice 120 minutes.

  • Warm up – 10 minutes
  • II V I Lines (four beats per chord change) – 10 Minutes
  • II V I Chords (four beats per chord change) – 10 Minutes
  • II V I Lines (two beats per chord change) – 10 Minutes
  • II V I Chords (two beats per chord change) – 10 Minutes
  • She has a small coffee break – 10 minutes
  • Practice her repertoire – 35 minutes
  • Memorise new chords 15 minutes
  • Practice improvisation – 20 Minutes

I honestly prefer this schedule. It’s well thought-out and will definitely produce the desired results. Great improvement comes with great planning and great work. Her II V I’s were practiced to perfection. (II V I is the most important progression in jazz as almost everything moves in this direction of fourths).

She had a small coffee break and after that practiced her repertoire, chords and improvisation. You will notice that she hasn’t spend much time practicing left or right hand co-ordination. Technical exercises are always a good idea, but as our guitarist in this scenario has quite a high level of technical proficiency it’s more prudent for her to concentrate on the musical side of things.


As I said before – a good schedule will improve your playing much much more than practicing in an impromptu style. If you want to become a reasonable guitarist, you must be disciplined in your approach, otherwise hope of success will be dim.

Even if you only intend to play the guitar for your own pleasure, practicing your instrument with a schedule will get you the best bang for your buck. Your return on time invested will far outweigh your return on impromptu practice time divested!

For a guitarist with a very limited amount of practice time available, it’s absolutely imperative to follow a practice schedule as closely as possible. As a good friend used to say, prioritise ruthlessly!

About Author: Stefan (7 Posts)

Stefan Joubert is one of the world's most renowned guitarists. He is also a great rock singer having recorded his own grunge rock album at the age of 22 called "Megalorealist". He is well known for his touch guitar techniques. He is also a master instructor and currently accepting students into his guitar, piano, singing and bass classes.


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